Eight (8) original prints: etching and drypoint, 17 1/2 x 14 inches
In the original clamshell box, 19 x 15 inches
Liza Lou lives and works in Los Angeles, and has had solo exhibitions of her work organized at many prestigious museums:
Neuberger Museum of Art, Purchase, NY (2015); Wichita Art Museum, Wichita, KS (2015); Museum of Contemporary Art, San Diego (2013); SCAD Museum of Art, Savannah, GA (2011); Museum Kunstpalast, Düsseldorf, Germany (2011); Bass Museum of Art, Miami (2001); and Akron Art Museum, Akron, OH (2000). Select group exhibitions featuring her work includeSUPERPOSITION: Equilibrium & Engagement, 21st Biennale of Sydney (2018); Screen: Virtual Material, DeCordova Sculpture and Park Museum, Lincoln, MA; (2018); All things being equal…, Zeitz Museum of Contemporary Art, Cape Town, South Africa (2017); Beyond Boundaries: Feminine Forms, Pennsylvania Academy of Fine Arts, Philadelphia; Women’s Work, National Gallery, Cape Town, South Africa; Home Land Security, FOR-SITE Foundation, San Francisco (2016);Sleight of Hand: Painting and Illusion, San Jose Museum of Art, San Jose, CA (2014); The Artist’s Museum, Museum of Contemporary Art, Los Angeles (2010); and Skin Fruit: Selections from the Dakis Joannou Collection, curated by Jeff Koons, New Museum, New York (2010). Her work is in numerous international public and private collections, including the Albright-Knox Gallery, Buffalo, NY; Cleveland Museum of Art, Cleveland, OH; de Young Museum, San Francisco; François Pinault Foundation, Palazzo Grassi, Venice; Los Angeles County Museum of Art, Los Angeles; The Museum of Modern Art, New York; and Whitney Museum of American Art, New York.
Lou is the recipient of the 2013 Anonymous Was a Woman Award and a 2002 MacArthur Foundation Fellowship.
This portfolio was published by Jacob Samuel Editions in a total edition of 10 + 3 AP