Pierre-Auguste Renoir, “Portrait of a Young Girl,” c 1880-1885, pastel on paper, 8 x 9 5/6 inches

$60,000

Authentication:  Wildenstein Plattner Institute # 19.12.11 / 20637

Provenance:

Ambroise Vollard (?) Paris, before 1919

Wildenstein, Buenos Aires

S. Moos, after 1939

E. Moos, by descent

V. Moos, by descent, 1990-present

 

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Description

A leading Impressionist painter, Pierre-Auguste Renoir was one of the most famous artists of the early twentieth century.

“I was a very diligent student; I ground away in the academic way . . . . But I never obtained the slightest honorable mention and my professors were unanimous in finding my painting wretched.”

—Pierre-Auguste Renoir

Renoir started out as an apprentice to a porcelain painter and studied drawing in his free time. After years as a struggling painter, he helped launch Impressionism in 1870s. He eventually became one of the most highly regarded artists of his time.

Early Years

The son of a tailor and a seamstress, Renoir came from humble beginnings. The family moved to Paris sometime between 1844 and 1846, living near the Louvre museum. He attended a local Catholic school.

As a teenager, Renoir became an apprentice to a porcelain painter, and learned to copy designs to decorate plates. Before long, he started doing other types of decorative painting to make a living. He also took free drawing classes at a city-sponsored art school, which was run by sculptor Louis-Denis Caillouette.

The nineteen-year-old started studying and copying some of the great works hanging at the Louvre, and then entered the Ecole des Beaux-Arts in 1862. Renoir also became a student of Charles Gleyre. At Gleyre’s studio,he befriended three other young artists: Frédéric Bazille, Claude Monet, and Alfred Sisley. Through Monet, he met Camille Pissarro and Paul Cézanne.

Beginning of Career

In 1864, Renoir won acceptance into the annual Paris Salon exhibit. There he showed the painting, “La Esmeralda,” which was inspired by a character from Victor Hugo’s Notre-Dame de Paris. The following year, Renoir again showed at the prestigious Salon, this time displaying a portrait of William Sisley, the wealthy father of artist Alfred Sisley.

While his Salon works helped raise his profile in the art world, Renoir still had to struggle to make a living. He sought out commissions for portraits and often depended on the kindness of his friends, mentors, and patrons. The artist Jules Le Coeur and his family served as strong supporters for many years. Renoir also remained close to Monet, Bazille, and Sisley, sometimes staying at their homes or sharing their studios. According to many biographies, he seemed to have no fixed address during his early career.

Around 1867, Renoir met Lise Tréhot, a seamstress who became his model. She served as the model for “Diana” (1867) and “Lise” (1867). They also became romantically involved, and according to some reports, she gave birth to his first child, a daughter named Jeanne, in 1870. Renoir never publicly acknowledged his daughter during his lifetime.

The artist had to take a break from his work in 1870 when he was drafted into the army to serve in France’s war against Germany. He was assigned to a cavalry unit, but soon fell ill with dysentery. Renoir never saw any action during the war, unlike his friend Bazille who was killed that November

After the war ended in 1871, Renoir eventually made his way back to Paris where he and some of his friends, including Pissarro, Monet, Cézanne and Edgar Degas, decided to show their works on their own in Paris in 1874–this became the first “Impressionist” exhibition. The group’s name derived from a critical review of their show in which the works were called “impressions” rather than finished paintings using traditional methods. Renoir, like other Impressionists, embraced a brighter palette, giving  them a warmer and sunnier feel. He also used a variety of brushstrokes.

While the first Impressionist exhibition was not a success, Renoir soon found other supportive patrons to propel his career. The wealthy publisher Georges Charpentier and his wife Marguérite took a great interest in the artist and invited him to numerous social gatherings at their Paris home. Through the Charpentiers, Renoir met writers Gustave Flaubert and Émile Zola. He also received portrait commissions from the couple’s friends. His 1878 painting, “Madame Charpentier and her Children,” was featured in the official Salon of the following year and brought him much critical admiration.

With the money from his commissions, Renoir made several inspirational journeys in the early 1880s. He visited Algeria and Italy and spent time in the south of France. While in Naples, he worked on a portrait of famed composer Richard Wagner. He also painted three of his masterworks, “Dance in the Country,” “Dance in the City” and “Dance at Bougival” around this time.

As his fame grew, Renoir began to settle down. He married his longtime girlfriend Aline Charigot in 1890. The couple already had a son, Pierre, born in 1885. Aline served as a model for many of his works, including “Mother Nursing Her Child” (1886). His growing family, with the additions of sons Jean in 1894 and Claude in 1901, also provided inspiration for a number of paintings.

As he aged, Renoir continued to use his trademark feathery brushstrokes to depict primarily rural and domestic scenes. His work, however, proved to be more and more physically challenging for the artist. Renoir first battled with rheumatism in the mid-1890s and the disease plagued him for the rest of his life.

Final Years

In 1907, Renoir bought some land in Cagnes-sur-Mer where he built a stately home for his family. He continued to work, painting when he could Rheumatism had disfigured his hands, leaving his fingers permanently curled, and he had a stroke in 1912 which left him in a wheelchair. Around this time, he tried his hand at sculpture., working with assistants to create works based on some of his paintings.

World-renowned, Renoir continued to paint until his death. He lived long enough to see one of his works acquired by the Louvre in 1919, a tremendous honor.